We use cookies to ensure the best possible browsing experience on our website. By clicking OK, you consent to our use of cookies. Click here to read more about our cookie policy. 

My Ladye Nevells Booke

Facsimile British Library MS Mus. 1591

VERLAG: Bärenreiter-Verlag
PRODUKTFORMAT: Partitur
INSTRUMENT GROUP: Musik-Fachliteratur
One of the finest music manuscripts – for scholarly and practical use My Ladye Nevells Booke is one of the finest musical manuscripts of the late 16th century. With its 42 compositions, itcomprises about a third of the keyboard music by William Byrd – including some of his most popular compositions
211,00 €
inkl. MwSt.
Auf Bestellung
Gewöhnlich versandfertig in 5 Tagen
Dieses Produkt ist im Moment leider nicht verfügbar.
Not available in your region.
Spezifikationen
Subtitle Facsimile British Library MS Mus. 1591
Herausgeber Oliver Neighbour
Verlag Bärenreiter-Verlag
Produktformat Partitur
Instrument Group Musik-Fachliteratur
ISBN 9783761822135
Serie Bärenreiter Facsimile
Seitenzahl 414
No. BABVK2213
Beschreibung

One of the finest music manuscripts – for scholarly and practical use

My Ladye Nevells Booke is one of the finest musical manuscripts of the late 16th century. With its 42 compositions, itcomprises about a third of the keyboard music by William Byrd – including some of his most popular compositions such as the variations on “Sellinger’s Round” and “All in a Garden Green”.

Byrd himself selected the pieces for this anthology and directed the work of copyist John Baldwin. The meticulous, small corrections, found on almost every page, were most probably written by Byrd himself. Thegrandcoat-of-arms at the beginning refers to Sir Henry Neville of Billingbear (Berkshire) and as such identifies his wife Elizabeth as the dedicatee.

The manuscript did not become public property until 2006 when it waspurchased for the British Library. Now it is published in book form for the first time and gives the musician an impression of the richly decorated preserved original volume.

In his commentary, Byrd specialist OliverNeighbour describes the genesis and history of the work. He also provides information on Byrd’s concept, the chosen repertoire and gives technical details on the notation.

    Laden
    Laden